Since AEW was established in 2019, it has stood out by allowing wrestlers the freedom to create and develop their own personas, all while Tony Khan oversees the show’s booking. This approach contrasts sharply with WWE’s more top-down system, where performers receive specific instructions on how they should present themselves on TV. Speaking on “Busted Open Radio,” Bully Ray shared his perspective on AEW’s unique method.
Bully Ray praised AEW’s “handoff” style with talent, explaining that it allows wrestlers to take charge of their characters. He recalled his experience with Paul Heyman’s company, where performers were given guidance but ultimately trusted to run with it independently. He emphasized that AEW reflects Heyman’s influence, especially ECW’s legacy, by encouraging wrestlers to be authentic on-screen. While this freedom can be challenging for some, many thrive under it.
He highlighted Blake Monroe, formerly known as Mariah May, as a perfect example of a wrestler benefiting from AEW’s creative liberty. Bully Ray contrasted Monroe’s experience with AEW to how she might have been handled in WWE NXT, suggesting AEW gives wrestlers more room to shape their characters before hitting the spotlight. He also noted AEW’s willingness to retain wrestlers’ original names and identities when possible, as shown with Mariah May.
If citing these insights, please credit “Busted Open Radio” with AH/T to Wrestling Inc. for the transcription.
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Fan Take: This insight from Bully Ray highlights why AEW continues to attract talent eager for creative freedom, making it a refreshing alternative to WWE. For AEW fans, it signals a promising future where wrestlers can truly express themselves, potentially leading to more dynamic and captivating storylines that elevate the sport.