There was a period when Vince McMahon’s leadership seemed poised to end, and fans eagerly anticipated Triple H taking over WWE’s main roster creative direction. During his time managing NXT, Triple H brought a fresh and innovative approach that ignited one of wrestling’s most thrilling eras, propelling stars like Kevin Owens and Charlotte Flair into the spotlight.
Since assuming control of WWE’s creative, Triple H has made many positive moves—such as booking Cody Rhodes effectively and reviving CM Punk—creating some of the company’s most memorable moments. However, 2025 has brought creative challenges for the WWE icon, causing fans to question his leadership and suggesting it might be time for new creative leadership to step in.
WWE’s current product is increasingly viewed as predictable and stale. Even though Raw and SmackDown shows are largely planned out, the major live events often lack excitement or surprises. Shows like Wrestlepalooza and Survivor Series: WarGames played it safe and ultimately disappointed fans. While Triple H attempted bold moves like turning John Cena heel, a lack of long-term vision and extended, overused storylines, such as the one involving Liv Morgan and Rhea Ripley, have hurt viewer interest.
Under Triple H’s guidance during the NXT era, wrestlers were given ample time to deliver high-quality matches comparable to independent wrestling events—something not often seen on the main roster currently, where many matches feel average. Additionally, Triple H’s preference for long title reigns, while confident in the champion, has made challengers like Drew McIntyre seem less threatening, rendering the matches predictable and less engaging.
Another key issue is that Triple H has overlooked several popular wrestlers. Similar to Vince McMahon’s later years, stars who could have been elevated, like LA Knight and Karrion Kross, have been sidelined on the main roster despite strong fan support. Attempts to bring in fresh talent like Jey Uso have fallen short, leaving the main event scene dominated by veterans such as John Cena, CM Punk, and Brock Lesnar—reminiscent of a decade ago.
Triple H’s booking style is now seen as a limiting factor for WWE’s growth. Initially, his leadership brought boldness and unpredictability, but reliance on familiar storylines, such as The Bloodline, and repetitive character arcs—like Randy Orton’s pending heel turn and Rhea Ripley’s dominance—have made the product feel stagnant. The lack of innovative angles, overuse of tournaments, and dependency on a general manager role contribute to a creative plateau. Although AEW has struggled this year and hasn’t capitalized on WWE’s issues, Triple H cannot continue to take such creative risks without improvement.
If Triple H steps down from his creative role, there are notable candidates who could take over. Paul Heyman, known for his creative genius and unique approach to wrestling storytelling, is a prime choice and is highly regarded by the WWE roster. Brian Gewirtz, a former WWE writer who closely collaborates with Dwayne “The Rock” Johnson, could also bring fresh ideas if The Rock decides to increase his backstage involvement. Regardless of who leads, WWE needs change to revitalize its product, and with its talented roster, the company has great potential for a brighter future.
Fan Take: This development is critical for WWE fans who crave fresh, exciting storytelling and new stars rising to the top. A creative shake-up could rejuvenate the sport, making WWE more compelling and competitive in the evolving wrestling landscape.
